And I’ve rewritten it again, because that’s what I do over and over again. I had amazing input from several friends who came to the SOLOCOM premiere of the show, as well as my director Courtney, and I knew immediately what they were talking about.
That’s a fascinating aspect of this process, the rewriting, relearning, and reblocking as I ready the show for Edinburgh in August. It’s akin to sculpting, each time a little more is peeled back and I reveal more of the story. More than I’m comfortable with, so we might just be on the right track.